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The Founders' Dilemma
~ Joyce ~
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(This article first appeared in the Winter
1994 issue of Communities
Magazine.)
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The Elizabethan home that Frank Stephens built in
Arden. Its name,
"Tomorrow is a New Day," was carved into the door beam.
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Many of our communities are just now reaching that sobering age when we
start to question our immortality. The founders are aging, as are many
long-time members. Meanwhile, there is a surge of interest in the
communities movement among younger people, who see this lifestyle as a
partial solution to the multiple crises facing our world. At the place
where these two phenomena meet lies a crucial challenge--the blending of
old and new.
This is the "founders' dilemma." It is the creative tension
between affirming the original intent of a community, while at the same
time being deeply responsive to the need for growth, flexibility, fresh
air. New people arrive with strong and good dreams of their own. How can
their visions be woven into the original tapestry without obliterating it?
I have been on both sides of this dilemma. I grew up in Arden, one of
the oldest of today's intentional communities, but left there in the early
seventies, young and knowing everything, to help found Light Morning, a
small community in Virginia's Blue Ridge Mountains. Twenty-some years
later, I find myself very much a part of Light Morning's old guard, its
establishment. And now there are new, younger people at the door, wanting
to know if we are open to change. Attempts to answer this critical
question have taken me back to my roots in Arden, where there is a story
well worth pondering.
* * *
Arden was founded in 1900 by Frank Stephens and Will Price, both
disciples of Henry George, an economic philosopher who envisioned a better
way to organize land and wealth through the Single Tax movement. George
believed that the Earth, like the air and the water, should be a shared,
communal resource. He felt that private ownership of land, by the
privileged few, inevitably resulted in exploitation, speculation, and
poverty. As a corrective measure, he therefore advocated the abolition of
all taxes except a single tax, to be levied on the value of the land,
irrespective of the value of the improvements on it.
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A young Frank Stephens, campaigning
for
Single Tax in Delaware in 1896.
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The passionate followers of Henry George tried to take over Delaware in
the elections of 1896 in order to demonstrate the virtues of the Single
Tax theory at the state level. Donning backpacks and uniforms displaying a
symbol of the Earth, they campaigned vigorously, only to be severely
trounced at the polls. In the aftermath of this electoral defeat, Stephens
and Price decided to set up a demonstration project on a smaller scale. So
they scrounged up enough money to buy an old farm north of Wilmington and
laid out plans for the village of Arden.
Besides being avid Georgists, Arden's founders were also artists,
musicians, and craftsmen, heavily influenced by William Morris and
Elizabethan England. Their little village quickly took on this artisan
flavor. Soon it attracted a rich diversity of other artists and social
activists and became known for its weaving, woodwork, and stained glass;
for its Shakespearean theater; and for its eccentric population.
Upton Sinclair lived in a tent. A young Scott Nearing peddled
"Nearing Perfection Vegetables," prompting Dr. Moore (as the
story goes) to advertise his produce as "Moore Perfect
Vegetables." With Single Taxers and Socialists, Anarchists and
Communists, Arden in the early days was a wild mix of young hotheads and
visionaries. Nowhere was this more evident than in the town meetings.
Arden was set up as a land trust. Three powerful trustees were to keep
the community true to its Georgist, Single Tax course. In counterpoint,
the founders also called for town meetings, in which every man, woman, and
child was to have a vote. The inherent tension between these two
decision-making bodies quickly evolved into a classic portrayal of a
community's conflicting needs, both to hold fast to its founding vision
(the trustees) and to be open to re-interpretation and renewal (the town
meetings).
The battles were often intense. As the years passed, the forces of
change pounded away at the village's Georgist legacy. Much to the dismay
of founders Stephens and Price, the original vision lost out. What remains
of Single Tax in Arden today is but a shadow of how it was meant to
function.
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In early Arden (above), as in the early days of Light Morning,
residents sometimes lived in tents before building their homes.
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Old family letters (Frank Stephens was, conveniently, my husband's
great-grandfather) offer intimate glimpses into this man's acute sense of
failure as he saw his dream lose ground. By the early 1930's it was clear
to him that his beloved Arden, in which he had invested his life, would
never become the instrument of economic revolution that he had so ardently
desired it to be.
Growing up in Arden in the 1940's and 1950's, we children were
oblivious to these seeming failures, as most of the village happily
remains today. What survived of the dream is rich and special--the beauty,
the quaintness, the town meetings, the arts and theater, the Gild Hall and
the gilds, the village forests and greens, and a town that, nearly a
century later, still eats together on Saturday night. It's all very good.
But is that enough? Can a community that strays from its original
mission still be considered a success? As the years, then decades pass, as
people come and go, as the political, economic, and social climate
changes, how relevant is that original vision?
* * *
Most of our communities are perhaps still too young to offer a clear
perspective on how the passing decades test original intent. It would
behoove us, then, to pay close attention to those who came before us. What
happened to these earlier communal endeavors? And what of their experience
is relevant to ours?
In Arden, the struggle was between the trustees and the town meeting.
In the communities movement today, the same tension exists, but perhaps
not so obviously portrayed. For many of us are using consensus, rather
than voting, as a means of reaching decisions and settling disputes. While
holding the promise of a true reconciliation between old and new,
consensus can also be abused, assuring instead the effortless protection
of the status quo. I have seen this happen time and again at Light
Morning, and I would guess that we are not unique.
But when utilized in conjunction with a radical willingness to truly
cooperate, consensus can be stunningly effective in resolving the
founders' dilemma. Long-time members must continually stretch to be open
to renewal, while "newcomers" need to take active responsibility
for the core intent of that which attracted them in the first place, being
careful not to slide into either submission or rebellion.
As one of the founders of a community, and deeply devoted to its
original vision, I have been wrestling with the call for more openness and
flexibility. My question, at least until recently, has been how to remain
responsive to change and still hold true to course. Yet a closer look at
Arden's story suggests a far more threatening consideration. Is
"holding true to course" all that critical in the long run?
* * *
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An older Frank Stephens wrestles with the
waning of Single Tax as Arden's core vision.
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Frank Stephens died believing that Arden community had failed. His
"come one, come all" policy had indeed proved fatal to his
cause. What he could not see, however, but which is visible to us nearly a
century later, is that in founding Arden he had established a garden--a
fertile, sustainable garden--in which not only he, but many others after
him, could build toward their dream of a better world. His beloved crop,
Single Tax, was lost, but the garden itself survived.
In setting up those democratic town meetings that, in the end, voted
him down, this founder trained a staff of vigorous and experienced
gardeners, eager and able to carry on, season after season, long after the
founders had passed. This is not, perhaps, such a terrible thing.
Although many of us today may use a different form of decision-making,
our process offers the same perilous opportunity. Through it we hone our
skills, learning responsibility and compromise, respect for each other's
needs and perspectives, how to build together and take apart, how to
handle power.
Often we get caught up in the issues--should we grow our wheat or buy
it, build the new shelter here or over there, use hand tools or
power?--and neglect to see that it is the process that is crucial,
and the training of vigorous gardeners, not so much any particular
outcome. This is also why our communities are best left a little undone, a
little imperfect, providing a seemingly endless supply of flaws to be
corrected, issues to be hashed out, grist for the mill.
These are the skills that will, if continually exercised, keep a
community alive and relevant beyond its founding generation. Changing
times call for discernment, responsiveness, perhaps even a radical
reorientation. Such shifts often entail the stripping of outmoded form
from essence, and so require not only a strong grounding in the
vision--it's hard to pull a board off a 2x4 if the framing itself is not
well anchored--but also a willingness to bend. For the dismantling of old
(and perhaps precious) forms can be painful.
Can we long-time community members, then, trust ourselves to keep
nurturing the skills of renewal and redefinition, though they carry the
potential for what may feel like our own undoing? And do we really have
any other choice, if we want our communities not only to outlive us, but
to stay vital and growing while we are present?
Do not misunderstand me. These are, by their very name, intentional
communities. This implies a purpose beyond the every-man-for-himself
version of the American dream. We must not let some undertow run us
aground on those tempting and familiar shores. But surely we are learning
to discern the difference between a shift that's grounded in true
responsibility for the bettering of our world, and one lacking that fire.
So I'm not, by any means, advocating that we abandon the helm, anything
goes, come what may; only that we make space in our enterprises for the
gestation of new dreams to succeed our own.
* * *
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Dancing the May Pole in early Arden.
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I am not sure how fully I can do this, how flexible I can be. I love my
community, tucked back here in the mountains. There are aspects of it that
I am very attached to--the simple, labor-intensive lifestyle; the common
table; a shared respect for dreams, meditation, and prayer; our
"rose-work" (the thorny business of learning to hear and
understand one another); the quiet and beauty of the land.
I have been shepherding this dream for close to 30 years now. I am pure
"establishment," attuned to all the forces that want to keep
things just as they are, forever.
But the seasons are changing. Will I respond, or will I hold tight to
what has, until now, been sufficient? As a gardener, will I see the
yellowed leaves on a favorite crop and know that some vital nutrient is
missing, or maybe even that the crop needs turning under? Am I open to
sharing my garden with other, newer gardeners, hot to plant other, newer
dreams?
We can make peace with this process, realizing that change is not
nearly so perilous as the lack of it. Or we can try to cling to what is,
using consensus to protect us, rather than allowing it to invite renewal.
But to paraphrase Bob Dylan, "a community not busy being born is busy
dying."
To be truly sustainable, then, our communities must navigate these
perilous waters. We need to honor the goodness of much that has been so
carefully crafted over the years, while at the same time ensuring
sufficient elbow room for new imperatives. Only in this way may our
communities realize their full potential and become viable seeds cast into
the fertile soil of these troubled times.
* * *
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For a fuller discussion of Henry George’s philosophy,
see "Henry
George and the Single Tax."
http://www.henrygeorge.org/denigris.htm
To learn more about Communities Magazine,
in which this article first
appeared,
go to http://fic.ic.org/cmag.
* * *
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Next Article: The Lofty Chronicles--Part Two
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